United States, Provo Utah
The compositions of ANDREW MAXFIELD—hailed as “rhythmically vital … superbly judged … [and] tender” by Fanfare Magazine—have been performed throughout the U.S. and Europe. A recent winner of the King’s Singer’s New Music Prize (Jury Special Commendation), Andrew has been a Composer Fellow of the National Collegiate Choral Organization and Composer-in-Residence for Newburyport Choral Society and Southern Virginia University. Recent commissions include choral works for the Barlow Endowment for Music Composition, Hillsdale College, and Salem Hills High School; an orchestral adaptation of the Caldecott honor book, They All Saw A Cat, for the Center for Latter-day Saint Arts in New York City; and a concert-length score for SALT Contemporary Dance, showcased at Lincoln Center. His album, Celebrating Wendell Berry in Music, was released by Tantara Records and his “well-crafted, approachable” works (Dr. George Case, The Boston Cecilia) are published by Walton, Santa Barbara, and Yalecrest. Ensembles which have performed Andrew’s music recently include The Gesualdo Six, USC Thornton Chamber Singers, Emporia Symphony Orchestra, Carroll University Symphonic Band and Choir, Wingate University Singers, Utah Philharmonic, The Piedmont Singers, University of Pennsylvania Chamber Choir, and Choral Arts Initiative.
Andrew has pursued advanced studies in counterpoint and harmony at the EAMA–Nadia Boulanger Institute in Paris, France, graduate composition studies at Boston Conservatory at Berklee, and doctoral studies at the University of Bristol (UK). His primary teachers include Philip Lasser (Juilliard), John Pickard, Jonathan Bailey Holland, and Marti Epstein, and he has also studied with Aaron Jay Kernis and Steven Sametz through the ACDA Choral Composers Forum.
Andrew lives with his wife Liz Davis Maxfield—a professional cellist, expert in Irish traditional music, and rock climber—and their two handsome, high-octane boys (plus a hyper puppy) just downhill from Sundance in Provo, Utah, USA.